b. 1501, Ferrara, d. 1556, Ferrara His father Tommaso ( fl 1503-23) was a painter and decorator at the court of the Este in Ferrara, and Girolamo was trained in the workshop of Garofalo. He visited Rome in the early 1520s (Fioravanti Baraldi) and was in Bologna in 1525, where he worked with Biagio Pupini and Giovanni Borghese on the decoration of the sacristy of S Michele in Bosco. Around this time (1525) he painted the altarpiece of the Virgin Enthroned with Saints  Related Paintings of CARPI, Girolamo da :. | St Jerome (mk08) | Head of a girl | Astronomy | The Balcony | Portrait of a Woman sdg |
Related Artists:
George Armfield
British, born circa 1808-1893 He was born in Wales His father was a painter, who for some time had a studio at 54, Pall Mall, London and from his father, George Armfield obtained any artistic tuition he may have received.
Ker xavier roussel
French Nabi Painter, 1867-1944 was a French painter associated with Les Nabis. Born François Xavier Roussel in Lorry-les-Metz, Moselle, at age fifteen he studied at the Lycee Condorcet in Paris; alongside his friend Édouard Vuillard, he also studied at the studio of painter Diogene Maillart. In 1888 he enrolled in the École des Beaux-Arts, and soon began frequenting the Academie Julian where Maurice Denis and other students formed the group Les Nabis. He is best known for paintings of French landscapes usually depicting women, children, nymphs and fauns in bucolic settings. In 1899, Roussel, Vuillard, and another close friend, Pierre Bonnard, traveled to Lake Como, Venice and Milan. In 1926 Ker-Xavier Roussel won the Carnegie Prize for art. Ker-Xavier Roussel died in 1944 at his home in L'Étang-la-Ville, Yvelines. Roussel is mentioned in Gertrude Stein's Autobiography of Alice B. Toklas, chapter 3. There she recounts an exchange he had with Theodore Duret in Vollard's shop at an uncertain date after 1904.
Louis Hayet
French, 1864-1940.French painter and writer. He was largely self-taught and initially earned his living as an itinerant painter-decorator. In 1881 he met Lucien and Camille Pissarro while painting landscapes near Pontoise and through them met Paul Signac in 1885 and Seurat in 1886. After a years military service at Versailles, Hayet moved to Paris in the autumn of 1887. There he began to apply to his paintings Eug?ne Chevreuls theories of colour contrast with which he had become familiar by 1881. A gifted watercolour painter, he also experimented with the ancient technique of wax encaustic, painting on a prepared cotton that allowed light to filter through. The paint surface of works such as The Grange (Beauchamp, France, priv. col., see 1983 Pontoise exh. cat., no. 1) retains a vivid tonal freshness, while the subject of crowds of peasants gathered before the Paris agricultural market reveals a debt to Pissarro. During the second half of the 1880s he became obsessed with the notion of passage